Mission In Moscow

Chinese police action. Staring Jacky Chan and / or Jet Li. Research & location scouting for pre-production was made in Moscow.

See «Mission in Moscow» at SlideShare.net

Director Ding Sheng (on the photos) in Moscow visiting the Russian Army Museum (click to see full size).

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RECLAMATION (ESTERDAD), Iranian War Drama Filmed & Screened In Moscow

We didn’t expect this production in Moscow could have been so complicated.

After 8 weeks of hectic pre-production, in late-January 2012 the Iranian crew of 25 from Teheran-based Farabi Cinema Foundation arrived in Moscow – just in the most dramatic moment of their nation.

It seemed US-Iranian military conflict was imminent: US aircraft carriers were closing up in the Persian Gulf at the shooting range of the Iranian border. The Iranian crew was under the stress, worried about their families.

Besides, Iranian banks halted international transactions. A few times the film production was about to stop due to irregular cash-flow. So, twice Russian partners had to ensure a financial support.

Moreover, all along those five weeks the weather was cold with unprecedentedly freezing wind-chill factor. Shooting snowy Moscow locations, incl. The Red Square, or an ex-Soviet anti-nuclear bunker was really something…

For some reason RECLAMATION was released only in late-2013. I contacted Farabi Cinema Foundation and suggested to arrange the film premiere in one of the programs of the forthcoming Moscow International Film Festival.

By the time my idea was approved, another Iranian film was already selected for the Competition program. However, in May RECLAMATION was accepted for “Russian Trace” side-bar program.

RECLAMATION (ESTERDAD),  Iranian War Drama   Filmed & Screened In MoscowOn June 21 and 24 the film was screened at the Festival Center in “October” Mulitplex.

Both times the halls were full. The audience and film critics gave positive reaction about RECLAMATION, however, no festival award was granted.


Now we hope the film will be shown on Russian TV.

Eugene Zykov
President & Founder
Russian Film Commission — Film-Media

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STALINGRAD: 3D-Show 60 Years After The Battle


Stalingrad_1Cast: Pyotr Fyodorov, Thomas Kretschmann, Sergei Bondarchuk Jr., Mariya Smolnikova, Yana Studilina
Director: Fedor Bondarchuk
Screenwriters: Ilya Tilkin, Sergei Snezhkin, Vasiliy Grossman
Composer: Angelo Badalamenti

The $30 million war drama STALINGRAD by Feodor Bondarchuk is a Sony Pictures release of a Non-Stop Production, Art Pictures Studio production in association with Twin Media, Russia 1 TV.

It premiered at Rome Film Festival (non-competition) in October 19, 2013. A massive PR campaign was launched in Russia to raise domestically $51,7 million box-office (7 million admissions) and… a bitter controversy. Russian public opinion was split.

The first-in-Russia feature released in 3D IMAX format is stuffed with stunning special effects, excellent DOP artwork by Maxim Osadchiy and breath-taking sets by production designer Sergey Ivanov. However, the film is a far cry from the great war masterpieces of the Soviet-era classics.

Lots of Russian WWII vets and younger-generation filmgoers were disappointed

Lots of Russian WWII vets and younger-generation filmgoers were disappointed

Lots of Russian WWII vets and younger-generation filmgoers were disappointed. The mega-battle which claimed over 1,2 million lives looks like a computer shoot-out game. Many criticize Rambo-like war actions and Hollywood soap-opera-style love stories. Others deplore overly positive depiction of the German officers and primitive Russian defenders, who in fact, were the true heroes.

Finally, as the festival film critics noted,the English subtitles on the print screened at the Rome Film Festival were often incomprehensible. Russian filmgoers also found some inconsistencies in the dialogs and messed up historical facts.

No wonder, STALINGRAD had little chances in the foreign language Oscar race.

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Sounds Strange? – It Is

December 2013 – Stuttgart (Germany).  Right now we´re working on our documentary about immortality for the German TV. We have filmed different protagonists around the globe who do not want to die. They all try to achieve radical longevity through different ways.

One of them is cryonic: the way to preserve human life with the intent of restoring good health when technology becomes available to do it. So, as soon as some particular person dies he/she or part of his/her body gets deep-frozen and stored in a special freezer  container filled up with liquid nitrogen. Hopefully, sometime later in the future he/she may rise from the dead or a new clone body is activated from his/her body fragments.

Cryogenic freezer repository

Cryogenic freezer repository for storing human brains and fragments

Sounds strange? It is. Anyway, Russia is the best location to shoot such strange fascinating things.

Russian landscape

During our research we got to contact Eugene Zykov from Russian Film Commission.
This gentleman is a perfect line producer, speaking fluent English. He seems to know everybody in Moscow. Eugene rendered both creative and logistic support during our shoots in Russia. He dedicated much time with his heart and soul to our film subject, offered a lot of great ideas for our movie which will definitely become part of the film. He also took care of everything so that we could work without any hindrance.

Eugene and his English-speaking driver Vladimir (who could be also a Russian stand up comedian) transported us safely and fast around Moscow or its suburbs despite a horrible traffic.

Eugene Zykov

Eugene Zykov, line producer


Our driver Vladimir









During our week-long shooting in Moscow we´ve interviewed amazing people: cryonic experts and their clients who dreamed and contracted to get frozen after they die.


Irina, a former space research scientist and cryonic client who already froze her deceased mother

We´ve also interviewed a formidable orthodox priest, who informed us that only God is able to let people rise from the dead.

Cyrill, orthodox priest

Cyrill, orthodox priest who is strictly against cryonics

In fact, there were a lot more great stories we learnt during our highly productive shooting in Moscow.

Retrospectively, I‘d say, our Moscow shoot was a very memorable experience for all of us. We´ve got an eye-opening material, visited spectacular locations and talked to fascinating people. Also we‘ve made fantastic friends there.

crew moscow

Our joint German-and-Russian film crew

Andreas Schnoegl, Director

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THE FLYING ELEPHANT On TV Channel “Russia-Culture”

On Wednesday, December 18th at 10.00 pm a 52-minute documentary “The Flying Elephant – Dynasty Of Sculptors)” produced by our FILM MEDIA with the financial support of the Russian Ministry of Culture will be shown by TV channel “Russia-Culture”.

Alexander RukavishnikovThe film portrays Alexander Rukavishnikov, one of the top 30 contemporary sculptors in the world. Many of his works of art are in various state art galleries or in different private collections.

Born in a famous dynasty of Russian sculptors and artists, he reflects on modern fine art in Russia and shines a curious light upon censorship in the USSR and on some modern realities which have an impact on his creative life.

Rukavishnikov, Pak and Kostenko

Alexander Rukavishnikov (left) in the sports hall

The film follows the sculptor as he works in his studio, meets his students at the Moscow Art Institute after Surikov, receives a prestigious award at the Modern Art Academy, or compliments from Vladimir Putin on the monument to renowned cello player Mstislav Rostropovich.


It is an insight into an amazing talent: his monuments always move and interact with audiences. His friends and colleagues reveal a few more of his hidden talents, such as launching eye-opening vernissages or his passion for karate, which earned him the nickname THE FLYING ELEPHANT.

Directed by Valery Krechetov, Anatoly Ivanov
Script by Valery Krechetov, Eugene Zykov
Producer Eugene Zykov
Production & World Rights: FILM-MEDIA Ltd
© 2012 FILM-MEDIA Ltd
Tel/Fax: (495) 686 18 88 Mob (905) 545 34 14
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